April 10, 2020
As we approach the close of Lent,
this particular work, painted in the late nineteenth century, should speak to
us all. Nikolai Ge’s ‘Quod Est Veritas?’
possesses an unmistakably cynical and sinister undertone; the earthen color
palate, the blood-red of the cloak, the pale light cast upon Pilate as he
stands so cavalierly before Christ, the look on Jesus' haggard face - one part
curiosity, one part pity, one part resignation - it strikes a chord. It is the cold light of truth against a dark
shadow cast, exposing a disappointing and yet predictable turn of events.
This image is indeed seen though a
familiar lens by so many in this centennial moment of challenge to our humanity
and decency. Pilate knows what is right;
he wrestles internally with what he recognizes in his heart to be the truth,
but ultimately washes his hands of the matter, abdicating responsibility. Jesus understands what Pilate will do - what
he must do - and his visage leaves little doubt.
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